Wendy Walker’s Emma in the Night

“We believe what we want to believe. We believe what we need to believe. Maybe there’s no difference between wanting and needing. I don’t know. What I do know is that the truth can evade us, hiding behind our blind spots, our preconceptions, our hungry hearts that long for quiet. Still, it is always there if we open our eyes and try to see it. If we really try to see.”

A gripping new psychological thriller from the bestselling author of All Is Not Forgotten – in the vein of S.J. Watson and Tana French – following a psychologist’s desperate search to find a missing woman three years after her disappearance.

When Emma and Cass Tanner disappeared three years ago, the only clues they left behind were Emma’s car parked in the beach parking lot, and her shoes discarded in the sand. After a thorough investigation by the FBI and local law enforcement, no new information was discovered and the case remained unsolved – until three years later when Cass surfaces at her mother’s door in the early morning hours. Alternately narrated by Cass and Dr. Abby Winter – the FBI forensic psychologist who worked the original case – we are given the details of what happened to the girls on the night of their disappearance, and where they’ve been all this time. But something isn’t right: the facts don’t add up. How much of what Cass is saying is actually true? As Abby sifts through the truths and the lies, she uncovers something far darker than anyone could have imagined…but is she too late to save Emma?

Abby is one of those characters that, when a job hits too close to home, either falls completely apart or stands on the brink of falling apart. It’s why I loved Rob Ryan from In the Woods and Elliot Stabler from Law & Order SVU. She has become an insomniac who never sleeps, and an alcoholic. She doesn’t remember what happened in cases six months ago, but she still remembers every last detail of Emma and Cass’s disappearance. Characters like Abby, characters that become so emotionally invested in a case that they eat, breathe, and sleep the facts, they are the ones that seem the most real.

While Cass can be looked at with a skeptic lens, she is also the victim. She had to grow up way too soon. She had to learn how to lie and manipulate and play games to get things that we take for granted, without anyone to completely confide in. Cass is cold and calculating, but she acts that way because she has lost her ability to trust. At times she’s a bit unlikeable, but that gets overshadowed again and again by your ability to empathize with her.

What I love most about this novel is the same thing that I loved from her previous one: the psychology. Though psychological thrillers have become hugely popular in recent years, few people know how to do it right. A good thriller catches your attention, a great thriller grips you and doesn’t let go, but an exceptional thriller – though rare – forces you to slow down and absorb every last word, taking you to places far greater than you could ever expect. From the very first paragraph I could tell that Emma in the Night was one of those rare exceptionals. Walker’s descriptive prose is carefully crafted, and she keeps her cards close, not showing anything in her hand before you need it to be revealed.

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Emma in the Night by Wendy Walker. St Martin’s Press 2017.

Jessica Strawser’s Almost Missed You

“’Imagine if,’ she repeated. She’d liked the sound of the words when he said them. They sounded so much better than almost.”

A page-turning psychological suspense debut in the vein of Mary Torjussen’s Gone Without a Trace, about the consequences of secrets not shared.

We all have secrets, but how can you ascertain those that are harmless from those that have the power to destroy? While on a family vacation, Violet returns to the hotel room to find her husband, Finn, and their son, Bear, gone, and only her belongings remaining. A week later, Finn shows up with Bear at their friend Caitlin’s house demanding she help him hide, blackmailing her with a secret from her past. Told through the eyes of three narrators – Violet, Finn and Caitlin – Almost Missed You keeps the reader on the edge of her seat until the very end. What does Finn have over Caitlin? Will Violet get Bear back? And, most importantly, why did Finn run?

Although Violet does in fact love her son and is distraught over Bear’s disappearance, it’s sometimes hard to feel empathy towards her, as she is naïve and doesn’t seem to have much depth. She pushes away Grams and prefers to drink vodka alone. Violet believes that her and Finn’s love story was nothing short of magical and it’s not until she finds out the truth about his past that she starts to question the man that she married from the one that she first met on the beach all of those years ago.

Throughout the novel, Caitlin is very much in the fight or flight mode. On the one hand she feels for her Violet and wants to tell her that Bear is safe, but on the other, she’s worried that the life she had made for herself is going to completely fall apart. Perhaps Caitlin should have told Violet about Finn’s past. Maybe if she had, the outcome would have been different, but she was Finn’s friend first and it was not her secret to tell.

Surprisingly, my favorite character was not Violet or Caitlin, but actually Finn – not what you would expect given his actions, but I felt that he was the most real. He made mistakes, but he actually let himself feel things. He wasn’t scared of the pain: he wanted to feel it. Everyone kept talking about how he and Violet were meant to be, how the way they met and then found each other again was one in a million, but the truth was that Finn was still living in the past and their relationship never stood a chance.

At times heart-wrenching, Almost Missed You shows that there is always more than one side to a story…sometimes there is three. And that sometimes, no matter how hard you try, you can never really know a person.

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Jessica Strawser’s Almost Missed You. St Martin’s Press 2017.

Wendy Walker’s All is Not Forgotten

“I heard a mumble then, a very quiet mumble. I looked at Jenny. Tears rolled down her face. Her mouth was dry as she whispered the word. Girl. Girl.

 

There’s a right time and moment to pick up a book. Sometimes, they have to be saved until we’re ready to experience them, until we’re in the right mindset in order to really appreciate and understand them the way that they were meant to be understood. Recently, I’d been indecisive, struggling to make a decision between the piles of books that I have at my apartment and my office. It had been three days since I finished the last book I’d been reading. Three days without reading is a rarity for me, unless I’m going through some personal turmoil. So, on that Friday afternoon, I stared at my stacks and picked up All is Not Forgotten. I had been holding onto an advanced copy for a long time – it pubbed this past summer – but finally, I was ready to read it.

Jenny, a teenage girl, is raped in the woods while music from a house party – one she’d been attending – blared in the background. At the hospital, she’s given a drug. Its purpose was to erase the memory of the event from her mind and enable her to live on as though the rape did not happen. But can your mind ever really forget? Narrated by Alan, a psychiatrist who works with Jenny to try and help her recover her stolen memories, we learn something that we already know: that the brain is complicated. And, while its capacity to retain memories and file them away is truly fascinating, there is still so much that is unknown.

So many novels on rape focus on the victim, which is why I thought it an interesting choice to use Alan as the narrator. He’s far enough removed that he can see what Jenny and her parents cannot. At the same time, he’s also invested…sometimes almost obsessively so. But it’s not until the novel ends that we really understand why. Not one of the characters is the person that they present to the world. Everyone is hiding behind a screen, terrified that they will be found out.

In the end, is Alan able to help Jenny recover that memory? And if so, will she be able to move on with her life?

 

“Jenny. Do you want to remember what happened to you that night in the woods?”

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All is Not Forgotten.  Wendy Walker.  St Martin’s Press 2016

Clare Mackintosh’s I Let You Go

A debut psychological thriller marketed as the next Gone Girl and The Girl on the Train from Berkley, Clare Mackintosh’s I Let You Go is a novel that demands your attention. With so many people talking about a HUGE twist, I was intrigued. And, when an advanced copy landed in my inbox, it quickly moved to the top of my reading list.

The novel opens on a rainy afternoon, as a mother and her son are crossing the street in front of their house. The boy slips out of his mother’s grasp and, in one life-shattering moment, is hit and killed by a car that turns and quickly flees the scene. Leaving the mother in the street huddled over her child’s lifeless body.

But who was behind the wheel?

Following Jenna Gray – a woman who leaves her life behind for one in a remote Welsh town – and the officers investigating the boy’s murder, I Let You Go is a brilliant novel that leaves you on the edge of your seat until the final page. As the police come closer to finding the driver, we see Jenna trying to move on from a past that keeps resurfacing.

The novel is at once heartbreaking and satisfying, and the HUGE twist that they promise comes along in the middle of the novel and does not disappoint. I was left speechless with my jaw on the floor, desperate to keep turning the pages and not stopping until I had reached the conclusion.

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Berkley 2016. Clare Mackintosh’s I Let You Go