Emily’s fiancé, Adam is the perfect man. He’s strong, he’s attentive, and he’s good to his mother, Pammie. But Pammie is a different story. Undermining Emily at every turn she is the nightmare mother-in-law we all dread. The only problem is that everyone else thinks that Pammie is the sweetest woman… But if it’s not all in Emily’s head why is she the only person that can see it?
On first glance, Sandie Jones’ debut novel The Other Woman feels a bit like the JLo movie Monster in Law. They both feature future MIL’s who lie and manipulate and genuinely make the woman feel crazy, but that’s where their similarities end. Unlike in the movie – where Michael Vartan’s character is actually perfect – Adam is not the perfect man. In fact, he’s not even likeable. Every time that Emily tries to talk to him about what Pammie is doing he shuts her down, refuses to see the bad and makes Emily (and us) think that maybe it’s all really her. So is it?
I started this book on my plane ride home from vacation and finished it two days later. It was that good. And the shocking end that everyone is talking about? I never saw it coming! It’s out in stores next week so everyone grab this one!
All too often I find an author who writes a few great books and then goes downhill. I’m not sure if it’s because they’re out of good ideas, bored with the genre, or just assume that their readers will continue to follow them no matter what and simply stop trying.
All that being said, I’m always impressed when an author continues to grow, whether they change genres or combine them, because then I feel like I can continue to read and enjoy – and Ruth Ware is one of these. In her fourth novel, The Death of Mrs. Westaway, she continues to stay in the psychological suspense genre, but adds another layer to her writing which makes it all that much better.
After taking over her dead mother’s psychic reading booth and borrowing money from a loan shark, Hal Westaway’s life is anything but stable. Just as she’s about to give up, she receives a letter regarding an inheritance from a family she never knew existed. Despite the fact that she believes it to be some sort of mistake, Hal’s desperation gets the better of her and she sets out to collect. Once in the midst of it, Hal realizes that nothing is what it seems, and this family and inheritance may very well be the death of her.
Filled with her signature twists and turns, you are kept guessing (and changing your opinion!) until the very end. Fans of Ware’s previous works, The Lying Game, The Woman in Cabin 10, and In a Dark, Dark Woods will NOT want to miss this!
A twisty suspense novel that explores the dark side of love and obsession.
Chevy Stevens’ Never Let You Go follows Lindsey Nash who, eleven years ago took her young daughter and escaped from her abusive husband Andrew’s grasp. That same night, Andrew is arrested on unrelated charges and sentenced to ten years in prison. Now, Lindsey has made a new life for herself; she owns her own business and takes care of her teenage daughter, Sophie. When Andrew is released from prison, odd things start to happen and, despite Andrew’s claim that he’s reformed, Lindsey is convinced that he is behind everything, slowly plotting his revenge. But, is Andrew the one behind the threats, or has someone else been waiting in the wings to make their move? Told through Lindsey and Sophie’s perspectives in the present and past, Stevens weaves a chilling tale that makes you question every relationship you have and have ever had.
As someone who is an avid reader – and particularly of this genre – I’ve read a lot of stories that revolve around the main character running away to protect herself, or falling for the wrong person, or befriending the wrong person. This one has it all, but somehow Stevens has a way of making it seem fresh and new. Every character is flawed which makes all of them relatable – the mother who would do anything to protect her child; the husband with abandonment issues who became violent; the teenager who overshares and under-shares, desperate to hold on to relationships with both parents.
For someone who was in an abusive relationship and claims to have a hard time trusting anyone, Lindsey naïvely lets her guard down more often than not. In the span of the novel, not only does she date two different men (Greg and Marcus), but she also talks freely about her past, sometimes divulging more details than she should. She’s in constant contradiction to herself, one minute in a state of fight-or-flight and the other completely content.
We don’t know a lot about Andrew or what he went through in the past that causes him to act abusively, though he does admit to Sophie that his violence stemmed from severe abandonment issues. I went back and forth on my feelings about Andrew, sometimes I believed that he really had changed and felt sorry for him, and other times I was convinced that he hadn’t.
And Sophie just seems like the typical teenager that you love to hate. The one who is trying to become her own person and learning how to trust her gut, even if that means not always listening to the authority figure in her life.
At times dark and moody, Never Let You Go is a MUST read for suspense novel lovers.
A page-turning suspense novel reminiscent of Ruth Ware’s newly released The Lying Game, following three best friends – that met at college twenty-two years before – who must deal with the repercussions of a decades’ old secret that leads one of them to their death.
Aside from their living quarters, Kate, Jenny, and Aubrey – or, the Whipple Triplets, as they were aptly nicknamed – had nothing in common. Kate, who’s father was a Carlisle alumni, hailed from the privileged world of NYC’s Upper East Side. Jenny was born in Belle River, the town where Carlisle was located, where her parents owned a hardware store. And Aubrey, who was on scholarship, grew up in the slums of Las Vegas to a single mother who could barely afford to pay the bills. They were all running away from something, all trying to reinvent themselves. At first, their friendships seemed to bloom, but as is often the case with a close-knit group of adolescent girls, they soon were at odds over boys, going behind each other’s backs and at times engaging in silent competitions. Despite their antics, the three of them swore that they would always be there for each other (it was a love/hate bond)…until the end of their freshman year when something tragic causes them to part ways. Twenty-two years later, they are all married and have managed to move on with their lives when the past resurfaces.
These three women claim to be best friends, but underneath the surface they are more like frenemies, because they really can’t stand each other. Kate, Jenny, and Aubrey are all self-centered and care more about how they’re seen to the world and in their perspective lives, than anything else, but that’s part of what makes this book so interesting. None of the characters are really likeable, but your opinions of them constantly change. Sometimes they’re naïve, other times vindictive – what Campbell does is kid of brilliant actually, because there are moments where you do care, followed by moments where you don’t.
What I liked about this novel is that it really did keep me guessing as to who caused the death. Early enough on, we do find out which one of the frenemies dies, but the real mystery is who was involved in said death, which is not as black and white as you would expect. Campbell takes you on a rollercoaster ride – as soon as I was certain that I knew the answer, something new would be revealed that would completely change my opinion. You are really left guessing until the final page, and even then, the culprit is shocking.
“That feeling…it lives inside of you somewhere deeper and older and more real than anything else except sex, and when it comes rising it takes your whole body for its own. It’s a smell of blood raging at the back of your nose, it’s your arm muscle throbbing to let go the bowstring, it’s drums speeding in your ears and a victory roar building at the bottom of your gut.”
Ever since reading her debut novel In the Woods, Tana French has been a long standing favorite of mind. I have read all of her novels, and for the most part, have loved every single one of them – although, her third novel, Faithful Place is still my number one favorite.
Perhaps one of the best aspects of French’s novels is how she takes a secondary character from the previous one and creates her next story around them. You get to know more about that character, see them in a different light, and your feelings about them change – sometimes.
In The Trespasser, however, she pairs the same two detectives and puts them in the forefront once again. The murder seems to be your basic lovers’ quarrel, but as Moran and Conway get deeper into the case, they soon realize that the evidence and prime suspect doesn’t line up. The victim, the suspect, the murder squad…nothing is as it seems.
As with all of French’s novels, she brings you along for the ride with the detectives as they try to solve their case. The theories that they believe you believe, until a new theory arises, and a new one. French keeps you holding on with her beautiful descriptions until the very end, when you come to realize who it was all along.
“Some secrets never die. They’re just locked away.”
These days, my reading list has become more diverse as I’m branching out, picking up books that I never thought I would, and loving them. There are a few genres that I keep going back to, ones that time and again prove to me why I love them so much. Nothing beats the feeling that you have when you get caught up in story and its characters and can’t let it go, obsessively drinking in each and every word. These are not always easy to come by, but once found, make me remember why I fell in love with books to begin with.
From the moment I read the description of Holly Seddon’s debut novel, Try Not to Breathe, I knew what kind of novel that it would be to me, that it had the power to stay with me – and I was not wrong. It centers around Alex Dale and Amy Stevenson, two women that have lost everything due to very different circumstances who come together to solve a 15-year old crime.
Alex is an alcoholic who threw away her husband, unborn child, and journalism career because she could not put down the bottle. Her days generally beginning with her waking up in urine-soaked sheets and ending a few hours later when she turns off her phone, unplugs her computer, and starts on her first of many glasses. Every time she starts craving a drink, I wanted to leap into the pages and pour it all down the drain, or at least for someone (anyone?) to realize the shape that she was in and force her to get help. But as much as I want to feel bad for Alex, I have a hard time doing so, because I feel like she doesn’t even try – in the beginning at least – to get past her self-destructive habits.
Amy, on the other hand, has no control over what happens in her life, because she has spent the past fifteen years in the hospital in a vegetative state after a horrific crime left her broken on the grounds of a neighborhood park. Except her mind is still intact, and she is reliving the experience over and over again, wondering if it is real or imaginary. In a way, I found it a bit comforting that, even though Amy’s mind was still working, she was not really aware of the state that she was in. Imagine if she was? How terrifying it would be to not be able to talk or move or communicate your thoughts with anyone. I can’t even begin to understand the agony of it all.
Although it seems to be totally accidental that Alex stumbled upon Amy at the hospital – she had been there doing research on a freelance article she was writing – it turned out to be the best thing for the both of them. By making the decision to write Amy’s story and try to solve the crime, Alex is transported out of her small world and finally has a cause worth living for. Even though Amy doesn’t completely understand what is going on, she does come to rely on Alex’s visits. As Alex gets closer to solving the case, her and Amy form a unique friendship, one that helps both of them to finally move on.
To me, there is nothing creepier than being alone in a wooded area in the twilight. I remember coming home from class at night and having to take two buses. The second bus stop was in front of a park and I would always end up waiting and waiting for it…constantly looking over my shoulder and scaring myself with every movement of the trees. In the back of my mind, I always was prepared for someone to leap out and attack me. Thankfully, no such event ever transpired.
Darkness is always something that has scared me. Particularly when it is time to go to bed. As a child, I was often terrified to go to sleep, unsure of what the night would bring. This only occasionally happens to me as an adult, and it mostly occurs when I am in the middle of a book that has such a hold on me that I just can’t put it down.
In a Dark, Dark Wood, a debut novel by UK author Ruth Ware, and also the debut book of Simon & Schuster’s new imprint, Scout Press, is one of those such books. From the first page, it had me. Nora (aka Lee, or Leonora) is running through the woods getting attacked by branches, slipping in the snow, all the while hoping that she is not too late to stop a car. But who is in that car and why is she trying to stop it? Just the thought of running through the woods at night is unnerving to me…like a person’s worst nightmare coming true.
Next we see Nora in a hospital, badly injured, amnesiatic, and the story unfold from there. Having been invited to a bachelorette weekend for an old school friend that she hadn’t spoken to in over ten years, Nora reluctantly goes, but the weekend seems doomed from the beginning. The bash is being held at a glass house in the middle of the woods, where it feels like anyone can watch your every move. An eerie thought to say the least. But what happened to Nora in those woods? How did she end up in the hospital? And, perhaps most importantly, can she trust herself let alone anyone else?
Alternating between the events of the weekend and Nora’s stay at the hospital, In a Dark, Dark Wood is a dark, twisted psychological thriller that will leave you haunted.
The Sinclairs are always perfect. No matter what happens, they are a perfect, beautiful family. Nothing is ever wrong, even when the opposite is true. Problems just don’t exist…not for them. They believe that strength comes from burying issues and not dwelling on them. That having feelings makes a person weak. They have turned living in ignorance into an art form, and are content with such. But, is that really possible? Is that really the healthy way to live your life? There comes a point when you can no longer bury your pain. What happens then?
In E. Lockhart’s novel, We Were Liars, Cadence returns to Beechwood Island for the summer after a season’s absence due to debilitating migraines. Having no memory of the accident from summer fifteen (she is now seventeen), Cadence hopes that being around the Liars – Gat and her cousins, Johnny and Mirren – will enable her to learn the truth about what happened. There is only one thing standing in her way. The Sinclairs. Cadence is a Sinclair, and the Sinclairs have no problems. When everyone is refusing to talk about the accident, will Cadence stay in the state of not-knowing forever, or will coming back to Beechwood Island be the key to unlocking the memories that her mind (and everyone else) has tried hard to keep buried.
“Sometimes I wonder if reality splits…[if] there are parallel universes in which different events happen to the same people. An alternate choice has been made, or an accident has turned out differently. Everyone has duplicates of themselves in these other worlds. Different selves with different lives, different luck.”